This important catalogue offers the first sustained examination of Herrera’s early career from 1948 to 1978, which spans the art worlds of Havana, Paris, and New York. Essays consider the artist’s early studies in Cuba, her involvement with the Salon des Realites Nouvelles in post-war Paris, and her groundbreaking New York output, as well as situate her work in the context of a broader Latin American avant-garde art.
Pages : 232 pages
Size : 30.5×24cm (hardcover)
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